Review of the soundtrack http://neufutur.com/2014/01/cowboys-indians-soundtrack-henrik-astrom/ CLICK THE IMAGE BELOW TO WATCH VIDEO FOR “HOLD MY TONGUE” FROM FILM’S SOUNDTRACK Cowboys and Indians, written and directed by Ian McCru
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Dream Anyway is Ian McCrudden’s second release as a solo artist, a follow-up to the critically acclaimed Start Over, which had 7 of its 11 tracks placed in film and television programs around the world. This album marks a significant step forwa
Ian McCrudden’s debut release on Kayo’s new Songwriter series. A collection of smoke house tunes with a western yet not quite country-husk. A seamless mix of introspective lyrics and powerful, guitar-driven melodies. The songs are confess
The original motion picture soundtrack, composed by Billy Mallery. “A rare treat” is how Ian described playing on and co-writing tracks for the Islander soundtrack. A joyful collaboration with an old friend. Mallery’s lovely, guitar
Cowboys and Indians is a tragic love story set in the modern west. The film follows the life of Angel (Maria Johnson), a beautiful but damaged Paiute Indian woman who was lead to live desperately on the edge after a traumatic experience. While making
A beautiful waterfront house, a Swedish flag fluttering in the wind. A sailboat tied to the wooden deck below. This is the setting of the friends’ annual midsummer celebrations. The friends are gathered at Emil’s house (Daniel Gustavsson)
A documentary look at the improvised life of Anita O’Day (1919-2006), singer and stylist whose timing, phrasing, interpretations, and unique sound put her among the finest jazz vocalists in history. Interviews with her later in life are intersp
On a small fishing island off the coast of Maine, families have lived and worked off the sea for generations. Everyone knows each other. Birthright is akin to law and men inherit their fishing territories. Eben Cole (Thomas Hildreth), like the other
Alanna Ubach is the mad hatter of your ideal tea party. Her writing and acting tickles and probes, a potent combination of the superbly observed and supremely imagined. In Patriotic Bitch she pushes the boundary of the one-woman-show by eschewing alt